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: 2005 : 2004

ARCHIVE 15 October 2005 - back

Yoga, contact improvisation, choreography......

Perception in Action
Weekend mouvement with Pasale Gilles.
'From a physical experiment with fundamental notions like gravity, breath, the transfer of weight, flooding, the mobile and the immobile, the touching of the partner, I suggest to enter the domain of the exploration of the movement in dance.'
Workshop from 10h until 17h.
Fee 50 euro for non-members and 40 euro for members.
Sat 15 Oct
...Sun 16
10:00 - 17:00


Week end Movement
Perception in action

From a physical experiment with fundamental notions like gravity, breath, the transfer of weight, flooding, the mobile and the immobile, the touching of the partner, I suggest to enter the domain of the exploration of the movement in dance.
By opening up more for sensations and by observing these perceptions, I wish to interrogate our sense of composition, our relationship with the environment, in the duration, in action, in silence, in the mobile and immobile.
The stage is open to dancers, musicians, visual artists, therapists, sleep therapists, but also for everyone who is curious in investing in movement and in registering their perceptions in action.
The didactic techniques used in this workshop are connected with my training en also with my work as an artist.

Pascale Gille
Certified in classical en modern dance at the national conservatory at Grenoble (’92).
Trained at EDDC (NL: ’97-’99)
Meeting with Barre Philipps (’93): study of the relationship between dance and music. Meeting with Eva Karzag (’97): analysis and exploration of movement relating to anatomy.
Meeting with Lisa Nelson (2000): study of the perceptions in action en choreographic composition.
Educated in the release technique, method F.M Alexander, Feldenkrais, Body work, BMC, Contact-improvising, Improvising, composition with J Hamilton, D Reitz, T Brown, S Forti, S Buirge, M Moore, M Tompkins, N Stark Smith, K Nelson, T Tatcher, C Swann, P Bardi.
Organized seminaries for artists like Friendly, but also laboratories like 'score et improvisation' from which the American Contact Quarterly published several of her pieces.
She signed several choreographic pieces, Wait Watcher , Paysages Graphiques, Mobile …
12 01 2006

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